Make Way
Lick
Big Sparkling Jewel
DIAMOND® Glitter
Aqueduct Torch 67
Where 7 and 3 hold sway, shadows (YES)
converge in a CTRL maelstrom of the senses!
Scintilla
Ab!,cD
Attributed
Elegance
(CL)ASS{IC}
“Ppl-Tlk 789“
S*ft-Drnk $1
XL, Yng–Old.
Synchroni©
Y–09
Galaxy B.01
16.27-590/3
game
Calligraphy
RCKT, 4321
Blast-OFF!
7+365
City: LGHTS
Vibrant-Night
DĕŒ(ř)
Hieroglyph
Golden Sun
CrNT-Heat?
Cn-Bs 1 Kt-RS
–Et?
Crimson•SKY $789
12th St. Sunset View
Drk, Lght 5
Make Way • 6 Styles
 
 
Make Way was designed to function as a colorful and lively contemporary serif. Initiated for a book project by Onlab’s Thibaud Tissot and later adapted for a magazine, it continued to evolve throughout the years and various projects. Primarily inspired by Plantin, one of the designer’s favourite for book settings, Make Way mainly retains its solid appearance with a relatively low contrast, comfortable in reading sizes, while the particulars of the design include transitional properties, escaping historical fealty to Renaissance typefaces. Triangular serifs combine with arched strokes and terminal drops; round, straight, organic and geometric ingredients playfully mix to give Make Way its distinct texture.

The full version of the typeface includes alternate glyphs in OpenType stylistic Sets such as a schoolbook version of the typeface (where letters a, g and y switch, evoking a different feeling), and more formal versions of letters Q and R. Currently available in five weights and one italic, additional italics will join the family soon. Keep an eye out for future members of the Make Family.

Make Way was finalized with the precious help of Anton Koovit, Federico Paviani, Rosalie Wagner, Emma Marichal & Ethan Nakache.
Graphic design by super duper Mikk Jogi.

#fatypeflux : Any purchase includes free updates.
Family purchases include additional members for free.
 
 
 
 
 
6 Styles
Regular + Regular Italic
Medium
Semibold
Bold
Black
 
 
 
 
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Ligatures?! Hah!
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Quicksilver Class
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Jack. O. Beware
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Majestic: Blown
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B*27 – Polo Zest
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Real Zucchinis!
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Assimilated Risk
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Astrophysics Notepad
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Reactive “frog” dances
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Judge’s Verdict is fi...
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Bottle of Champagne
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Vexed by the: Quacks
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Creatin’ New Worlds
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Symphony Crescendo
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Beyond the Veil of Imagination Lies
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Dancing in the Moonlight: 4-3-2 GO!
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Echoes of the Forgotten Daydream
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Searching for Chalice Went Secret
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Realms of Whimsical Reflections?
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Unraveling Time’s Tapestries Now
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Distant Aroma Surfaced Inexplicable
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The year 1866 was signalised by a remarkable incident, a mysterious and puzzling phenomenon, which doubtless no one has yet forgotten. Not to mention rumours which agitated the maritime population and excited the public mind, even in the interior of continents, seafaring men were particularly excited. Merchants, common sailors, captains of vessels, skippers, both of Europe and America, naval officers of all countries, and the Governments of several states on the two continents, were deeply interested in the matter. For some time past, vessels had been met by “an enormous thing,” a long object, spindle-shaped, occasionally phosphorescent, and infinitely larger and
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more rapid in its movements than a whale. The facts relating to this apparition (entered in various log-books) agreed in most respects as to the shape of the object or creature in question, the untiring rapidity of its movements, its surprising power of locomotion, and the peculiar life with which it seemed endowed. If it was a cetacean, it surpassed in size all those hitherto classified in science. Taking into consideration the mean of observations made at divers times,—rejecting the timid estimate of those who assigned to this object a length of two hundred feet, equally with the exaggerated opinions which set it down as a mile in width and three in length,—we might fairly conclude that this mysterious being surpassed
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STYLISTIC SET SS02
length of the mammal at more than three hundred and fifty feet, as the Shannon and Helvetia were of smaller dimensions than it, though they measured three hundred feet over all. Now the largest whales, those which frequent those parts of the sea round the Aleutian, Kulammak, and Umgullich islands, have never exceeded the length of sixty yards, if they attain that. These reports arriving one after the other, with fresh observations made on board the transatlantic ship Pereire, a collision which occurred between the Etna of the Inman line and the monster, a procès verbal
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greatly all dimensions admitted by the ichthyologists of the day, if it existed at all. And that it did exist was an undeniable fact; and, with that tendency which disposes the human mind in favour of the marvellous, we can understand the excitement produced in the entire world by this supernatural apparition. As to classing it in the list of fables, the idea was out of the question. On the 20th of July, 1866, the steamer Governor Higginson, of the Calcutta and Burnach Steam Navigation Company, had met this moving mass five miles off the east coast of Australia. Captain Baker thought at first that he was in the presence of an unknown sandbank; he even prepared to de-
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determine its exact position, when two columns of water, projected by the inexplicable object, shot with a hissing noise a hundred and fifty feet up into the air. Now, unless the sandbank had been submitted to the intermittent eruption of a geyser, the Governor Higginson had to do neither more nor less than with an aquatic mammal, unknown till then, which threw up from its blow-holes columns of water mixed with air and vapour. Similar facts were observed on the 23rd of July in the same year, in the Pacific Ocean, by the Columbus, of the West India and Pacific Steam Navigation Company. But this extraordinary cetaceous creature could transport itself from one
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place to another with surprising velocity; as, in an interval of three days, the good Governor Higginson and the Columbus had observed it at two different points of the chart, separated by a distance of more than seven hundred nautical leagues. Fifteen days later, two thousand miles farther off, the Helvetia, of the Compagnie-Nationale, and the Shannon, of the Royal Mail Steamship Company, sailing to windward in that portion of the Atlantic lying between the United States and Europe, respectively signalled the monster to each other in 42° 15′ N. lat. and 60° 35′ W. long. In these simultaneous observations they thought themselves justified in estimating the minimum
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Thirty first-rate pictures, uniformly framed, separated by bright drapery, ornamented the walls, which were hung with tapestry of severe design. I saw works of great value, the greater part of which I had admired in the special collections of Europe, and in the exhibitions of paintings. The several schools of the old masters were represented by a Madonna of Raphael, a Virgin of Leonardo da Vinci, a nymph of Corregio, a woman of Titan, an Adoration of Veronese, an Assumption of Murillo, a portrait of Holbein, a monk of Velasquez, a martyr of Ribera, a fair of Rubens, two Flemish landscapes of Teniers, three little “genre” pictures of Gerard Dow, Metsu, and Paul Potter, two specimens of
Ligatures (LIGA)
ff fi fl ffi ffl
Oldstyle Figures (ONUM)
0123456789
Case Sensitive Forms (CASE)
HHH-HHH
 
 
Double-storey g (SS01)
Dogma Migos
Schoolbook a g and y (SS02)
Bogeyman
Simple Q and R (SS03)
BAROQUE
Ball terminal j (SS04)
Bonjour
Double-storey g (SS02)
Dogma Migos
Simple Q and R (SS03)
BAROQUE
Alternate k (SS04)
Black book
 
 
Latin Uppercase & Lowercase
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Standard Figures
0
1
2
3
4
5
6
7
8
9
Smaller Text Figures (ONUM)
0
1
2
3
4
5
6
7
8
9
Accented Uppercase
À
Á
Â
Ã
Ä
Å
Ă
Ą
Ǻ
Æ
Ǽ
Ç
Ć
Ć
Ċ
Č
Ď
Đ
Ð
È
É
Ê
Ë
Ē
Ĕ
Ė
Ě
Ę
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
IJ
Î
Ì
Ï
Í
Ĩ
Ī
I
Ĭ
Į
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ñ
Ŋ
Ò
Ó
Ô
Õ
Ö
Ō
Ŏ
Ő
Ø
Ǿ
Œ
Ŕ
Ŗ
Ř
Ŝ
Ş
Š
Ș
Ś
Ť
Ț
Ŧ
Ù
Ú
Û
Ü
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ý
Ÿ
Ŷ
Ź
Ż
Ž
Þ
Accented Lowercase
à
á
â
ã
ä
ā
ă
ą
å
ǻ
æ
ǽ
ç
ć
ĉ
ċ
č
ď
đ
è
é
ê
ë
ē
ĕ
ė
ě
ę
ĝ
ğ
ġ
ģ
ĥ
ħ
î
ì
ï
í
ĩ
ī
ĭ
i
į
ij
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ñ
ŋ
ò
ó
ô
õ
ö
ō
ŏ
ő
ø
ǿ
œ
ŕ
ŗ
ř
ß
ŝ
ş
š
ș
ś
ť
ț
ŧ
ù
ú
û
ü
ũ
ū
ŭ
ů
ű
ų
ŵ
ý
ÿ
ŷ
ź
ż
ž
ð
þ
Punctuation
.
,
:
;
·
!
¡
?
¿
&
-
_
/
\
(
)
{
}
[
]
§
|
¦
'
"
«
»
@
®
©
^
Math & Symbols
+
÷
×
=
±
<
>
~
%
#
*
°
Currencies
$
¢
£
¥
Design:
Yassin Baggar
Collaborators:
Anton Koovit
Federico Paviani
Rosalie Wagner
Emma Marichal
Ethan Nakache
Font Mastering:
Emma Marichal
Styles:
6
Font formats
Desktop:
Web:
Mobile Apps:
EPUB:

OTF
WOFF, WOFF2
OTF
OTF
TTF upon request
Afrikaans,
Albanian,
Asu,
Basque,
Bemba,
Bena,
Bosnian,
Chiga,
Congo Swahili,
Cornish,
Croatian,
Czech,
Danish,
Dutch,
English,
Estonian,
Faroese,
Filipino,
Finnish,
French,
Galician,
Ganda,
German,
Gusii,
Hungarian,
Icelandic,
Indonesian,
Irish,
Italian,
Jola-Fonyi,
Kabuverdianu,
Kalenjin,
Kinyarwanda,
Latvian,
Lithuanian,
Luo,
Luyia,
Machame,
Makhuwa-Meetto,
Makonde,
Malagasy,
Malay,
Manx,
Morisyen,
North Ndebele,
Norwegian Bokmål,
Norwegian Nynorsk,
Nyankole,
Oromo,
Polish,
Portuguese,
Romanian,
Romansh,
Rombo,
Rundi,
Rwa,
Samburu,
Sango,
Sangu,
Sena,
Shambala,
Shona,
Slovak,
Slovenian,
Soga,
Somali,
Spanish,
Swahili,
Swedish,
Swiss German,
Taita,
Teso,
Turkish,
Vunjo,
Zulu.
 

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